David, Please don't bunch up sessions from one week into one session - I like to see these stand on their own. You'll get to compile them when you make your sketchbook later. The drawings from the studio session have some strong points to them. Try to loosen up with the line still more. You're still being too refined with putting the lines down. When indicating light patterns, hatching is a more finished or illustrative technique for the purposes of animation, in most cases. Bill Plympton uses it a lot but only after establishing the line drawings. The Ballet Met session has some good results - just try to loosen up and put lines down with more confidence - they tend to look as if they are drawn too slowly. Be careful in your drawings when putting in the details - but work loosely when establishing the gesture.
David,
ReplyDeletePlease don't bunch up sessions from one week into one session - I like to see these stand on their own. You'll get to compile them when you make your sketchbook later.
The drawings from the studio session have some strong points to them. Try to loosen up with the line still more. You're still being too refined with putting the lines down.
When indicating light patterns, hatching is a more finished or illustrative technique for the purposes of animation, in most cases. Bill Plympton uses it a lot but only after establishing the line drawings.
The Ballet Met session has some good results - just try to loosen up and put lines down with more confidence - they tend to look as if they are drawn too slowly. Be careful in your drawings when putting in the details - but work loosely when establishing the gesture.
Watch your proportions! Otherwise, I like what your doing with light and shading =]
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